On our way back from watching “Rab Ne Bana Di Jodi”, we had a conversation about how believable the surinder/raj angle is. Those who have watched the film know that its got nothing to do with multiple personality or any other explanation, surinder simply decides to become raj to impress his wife.Convincing? Maybe… maybe not.
So the argument was: how can someone as shy and meek as surinder, transform overnight into boisterous raj? Does that mean surinder is only pretending to be this meek person? Though the do-ability of something like that (in real life) is questionable, isn’t it true that most romantic films come to us packaged in a set of “un-doable in real life”? Be it jai in “jaane tu ya jaane na” running into the airport or stealing a bike to impress the girl next door in ‘oye lucky, lucky oye’. Even going back to aditya chopra’s own film, “dilwale dulhaniya le jaayenge” where raj impresses simran’s whole family and by the climax convinces everyone about their love.
If its love that makes our world go round then it’s definitely these ‘un-do-ables’ that make us love our romantic films.And i think the only reason most of us tend to continue watching love stories on celluloid, even though we know exactly how it is going to end, is to see these unthinkables and impossibilities. to, perhaps, see these things that "can't" really happen to us.
but rab ne takes its anticipatory bail very cheekily. First through its title and then with the constant motif of the the golden temple and 'rab' overlooking everything these characters are doing . both, surinder and bobby constantly saying that everything that's happening is god's doing won't let you forget that you have to believe anything and everything thats coming next.
All of us might want surinder to get the girl without resorting to raj's gimmickry or like to believe that that is even possible. (and that may be, too). but that won't be a romantic story anymore. that would just be love. and of course one is more fun to watch than another.
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